If creativity received appropriate recognition, guitarist and musical scholar Craig Ventresco would have received a MacArthur genius grant for his work in American vernacular musics by now.
He isn’t as well known as he should be, but the people who know him value him for his singular devotion to art that would otherwise be lost, forgotten, discarded.
Craig doesn’t simply dream of vanished worlds, nor does he simply amass evidence of them. He brings them to life, playing rags, blues, stomps, hymns, marches, tangos, a slow drag or two — the melodic and rhythmic life force of an America gone by. You might find Craig in some small San Francisco eatery or more ambitious restaurant, making his way through the lovely popular music of a hundred years ago — often to people who wouldn’t know Will Marion Cook from William H. Tyers — but when the listeners pay attention, they…
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